WORKS

I work across photography, kilnformed glass, film, and installation, moving between image-based work and pieces in which glass, light, form, and repetition become the primary language.

Photography is both a starting point and a material in much of my practice. I draw from personal histories, archives, and encounters with others to explore how memory is preserved, altered, and shared. Images may remain photographic or become embedded in glass, repeated, fragmented, layered, or reorganized into larger installations.

Across these different forms, I am interested in how experiences are carried through time and space—from intimate and personal narratives to works shaped by movement, perception, and the physical qualities of glass.